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1. 6,8 / 10
2. liked it=6293 Vote
3. duration=1 H 29Minutes
4. Country=Australia
5. 
6. directors=Natalie Erika James

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He is someone we don’t see happening. Still, Brie Larson’s resume is impressive. The actress has been playing on TV and film sets since she was 11 years old. One of those confused with Swedish player Alicia Vikander (Tomb Raider) won an Oscar in 2016. She was the first Marvel movie star with a female leader. And soon, he will play a CIA agent in a movies commissioned by Apple for his future platform. The movies he produced together.

Unknown to the general public in 2016, this “neighbor girl” won an Academy Award for best actress for her poignant appearance in the “Room”, the true story of a woman who was exiled with her child by predators. He had overtaken Cate Blanchett and Jennifer Lawrence, both of them had run out of statues, but also Charlotte Rampling and Saoirse Ronan.

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No where close to what some professional critics praising it for. Trying to be clever when in fact it's just a metaphor of a film that is not scary at all and in fact laughable at times. The fact that they used old people's health and mental state as a fearful topic is distasteful as well. Don't waste your time on this one.

Although it sucked me in, there was no scary sections at all

Why are people smoking these days? I want some. I just finish watching into the void a few days ago and the rating is above 6.5, I just saw it and went down to 5.9/10 but I still think is 4.0/10. Relic is classified as drama/horror but for me is more drama/mystery, why they do this? then people like me get upset about spending time for a movie that is what not appear and gave it less rating of what the movie deserves. Relic is pretty much well directed and the acting is decent, but for the first hour just drag, and the rest of the time is kind good but still, a movie is always about the beginning, middle, and ending. I think this movie is 4.5/10 but my wife told me to give it a 2.0/10. HEY, YOU HAVE TO LISTEN TO YOU WIFE BECAUSE IF YOU DON'T YOU KNOW WHAT HAPPEN.

Not everyone is frightened by ghosts, not everyone is frightened by brain-gobbling hordes of zombies, and the recent wannabe-edgy hype around serial killers has made for damn sure that not everyone's scared of those either. For more universal and inescapably "real" fears, we have horror films as stirring and remorseless as Relic.
Slowly but surely losing a loved one, especially during their proverbial "sunset years" is something we all must face - a claim I cannot make as confidently about ghost attacks and scary monsters. It is difficult to imagine anyone being spared of this experience; the grief, the rage, and yes, the insurmountable fear (accompanying the realization that we all share the same final destination, no matter what manner of sequel we've been promised by -INSERT BELIEF SYSTEM HERE. br> If you, like everyone else on the planet right now, are peckish for something new to enjoy in this unprecedented summer-movie drought, here comes a unique Australian horror movie to hopefully hold you over. Then again, I cannot guarantee you'll "enjoy" it per se, as it's a harsh one to process.
This film is remarkably well-made and nifty in its communication as it is, but since it also constitutes Natalie Erika James' moviemaking debut, some additional applause is in order. The way the shots are framed and moved; the increasingly maddening editing and production design; the sounds that suck us in further. you name it and James has probably got it. The biggest strength, however, may be that of the three leading actresses (Robyn Nevin, Emily Mortimer, Bella Heathcote) each of a different generation with a different approach to the facts of the world; the elder woman vanishes for a brief time and confounding sights reveal themselves upon her return.
Even at its most fantastical, Relic functions as a parable for losing someone to the confusions and rough realities of age. Even as the character of Edna seems to briefly pass into another plane of existence, surely that's not too different from how those final years often seem to us onlookers (soon to be given our own dues by Father Time)
The most effective parts of the movie have major influences from Mark Z. Danielewski's House of Leaves (which occupies my Top 3 books of all time alongside Cloud Atlas and The Hitchhiker's Guide to the Galaxy) but the maddening maze we're thrust into may yet represent the maze of the human mind, doomed to be impossible to navigate, or retrace, once we all reach that point. This is one of those films where I hope the younger and more mainstream horror fans stay clear, both for their own innocence's sake and for the sake of mature viewers' enjoyment.
Much like The Lighthouse and It Comes At Night, this is a horror film that goes beyond what most are used to; it's not about weird monsters and gore, but about the fears and anxieties that we all share in common and yet might make us hate each other (at least in the case of those other two films, which concerned paranoia, isolation, and distrust. This is what horror can do to us if we let it. It needn't all be ghouls, masks, and pop scares - not that I mind the more simple entertainment within the genre, if it's done well.
The pacing of Relic isn't the most fine-tuned and there are a few cheesy and inevitably clichéd moments; we do need to endure a few jump-scares but they are surprisingly effective here. A horror-based take on age and dementia is certainly an interesting one - even if the best movie on the subject will always be Haneke's Amour, which is more of a love story and an ultimate one at that.
Still, by Jove, James needs to continue making movies and continue to tap into the fears that unite us all.

Slow and painful, not a great advertisement for our dim industry 😡.